Duncan began photography in the mid 80s as soon as paperboy finances allowed. Always fascinated by older scenes, he found that practices abandoned in the UK were still part of everyday life abroad. An obsession with the Steam Locomotive enveloped. Inevitably a hiatus, over twelve years bringing up a family whilst Steam died. But for Duncan, rebirth, rediscovery, film moves on to digital. Latterly active in Ukraine then Russia, and still looking East.